Charge in motion - as depicted by the Cuboda EM Wave Model - suggests a 3rd (and final) dynamic wheel orientation in which essential motion is against, through, and ultimately transcends planes.


With the rocket - the quintessential planar transcending artifact - the relevant planes are iso-gravitational field potential surfaces, like the layers of an onion. The spatial orientation required of the cuboda for this transcendence is the disc, from which a rational accretion of spheres proceeds upward to abstract key info.


As it turns out, 3 layers of spheres are built upward before another sphere situates directly above the cubodal disc's central sphere. A cylinder joining these 2 vertically-aligned spheres
is characterized by a √6:1 height-to-diameter ratio. Integral numbers of so-proportioned cylinders guide design of the rocket's body.


With regard to the rocket engine's (de Laval) nozzles, both disc angles are employed. The nozzle's converging passage is keyed to a 55˚ half-wave while a 70˚ wave is keyed to the diverging passage. Nozzles configured by the disc's implicit triangularity facilitate stability and control.


In the example of nose cone design depicted here, a 55° minimum sloped quarter wave merges vertically with the cylinder below it, and the piloting area's conical form extends the minimum slope straight to the apex.


As a 55° wave is in essence an up-righted 35˚ wave, it holds (√2/2)2 = 1/2 sphere, which becomes a full one upon spinning the wave 360˚ about the vertical. The sphere constitutes an internal link that may potentially accommodate artifacts designed from any cubodal orientation by virtue of the cuboda's radial nature.


The bottom of the rocket follows the contour of the launch pad's hybrid crater: a quarter wave whose 55° maximum slope joins the identical slope of a parabolic form's terminating tangent below it, and whose intrinsic focusing geometry suggests a more active contribution to launch from earth. 


With the launch of one full sphere, the exploration of, and approach to shaping space that is Geocentric Design Code has, in a sense, come back to where it started.